Emerging from the storied Lathrop Homes on Chicago’s Northwest side, the multifaceted artist known as Myah Storm (and to her fervent online following as @stormdaboss) has swiftly established herself as a formidable presence in the contemporary music landscape. With a remarkable versatility that spans rap, singing, songwriting, and poetry, Myah Storm effortlessly navigates the intricate currents of hip hop/rap, pop/rap, and R&B, crafting a sonic tapestry that is both diverse and deeply resonant. Her debut project, the aptly titled “Lyrically Blessed Vol. 1,” has already begun to captivate audiences across major streaming platforms, boasting singles like the tenacious “Keep It A Ben” and the collaborative anthem “GameTime” featuring Chicago’s own Khaye Ko’Cain.
Myah Storm’s undeniable talent has not gone unnoticed within the competitive Chicago music scene. Her magnetic performances and compelling musical narratives have earned her coveted spots on prominent radio stations such as Power 92 and V.103, while her electrifying spoken word showcases have left audiences throughout the Chicagoland area spellbound. She has graced stages as an opening act for esteemed artists like Mic Terror, Rufus Sims, and Sir Michael Rocks, cementing her reputation as a live performer of significant caliber.
Driven by an ambition to move the masses, Myah Storm meticulously crafts a broad spectrum of tracks, from the infectious pop/R&B stylings of “Safe” and the subject of our current focus, “Rendezvous” featuring TQ, to the raw lyrical prowess displayed in hip hop records and freestyles like “Fresher Freestyle” and “High Status,” and the soulful introspection found in R&B gems like “Purity” and “Not a Drill” alongside Smokey Smothers.
It is within this rich artistic framework that “Rendezvous” ft. TQ emerges as a shimmering, mid-tempo pop anthem, a vibrant testament to the often tumultuous yet ultimately empowering journey of self-realization and rediscovered confidence after the wreckage of a love gone awry. From its opening bars, the track immediately enchants with hypnotic melodies that serve as a perfect sonic bed for Myah Storm’s bold, sultry, and pointed vocals. The song’s narrative arc masterfully chronicles the poignant moment of acknowledging one’s intrinsic worth and the decisive act of walking away from a “rendezvous” that has long since ceased to serve one’s emotional well-being.
Myah Storm’s initial verse plunges us headfirst into the emotional maelstrom of a relationship where boundaries have been blurred and respect has been eroded. Her opening lines, “promise you this nothing regular, fuck around have to fit you in my schedule,” immediately establish a sense of self-assuredness, suggesting a history where her time and attention were perhaps taken for granted. The subsequent revelation, “thought I was somewhat leveled huh? now you out here calling me the devil,” powerfully conveys the shock and disillusionment of being misjudged and demonized by someone she once held dear.
There’s a palpable frustration woven into her words as she asserts, “I show you better than I can say it,” indicating a profound disappointment in the other party’s inability to see or appreciate her true intentions and efforts. The playful yet firm declaration of “fnf number one on my playlist” hints at a newfound prioritization of her own joy and freedom, a subtle yet significant shift in perspective. The lines “if you fuckin with me better tell me verbatim, talk ya shit, gone on I’m waiting” are a defiant challenge, a demand for honesty and directness, a stark contrast to the emotional ambiguity she has endured.
The raw vulnerability of “it’s like you want me to hate me, is how I’m feeling lately” speaks volumes about the psychological toll the relationship has taken, while the potent couplet, “I got you hooked, that’s what you get for bating me,” reveals a strategic turning of the tables, an acknowledgment of her own power and allure. The ultimate rejection comes with the searing indictment, “you no good for the depths of my soul, I regret opening up telling you my goals,” laying bare the profound incompatibility and the emotional damage inflicted. The concluding line, “so happy I’m young and this got old,” is a triumphant declaration of liberation, a clear statement that she has moved past the toxic dynamic and embraced the wisdom of youth.
The hook, delivered with Myah Storm’s signature melodic edge, serves as the track’s resonant core: “you are, you are a bad rendezvous.” This repeated affirmation is not merely a statement of fact but a powerful incantation of self-liberation, a clear and decisive labeling of the detrimental nature of the past connection. It’s a declaration of independence, a vocalization of the breaking of ties with a relationship that was ultimately a destructive encounter.
As the infectious mid-tempo beat, driven by skittering percussion, walking basslines, and decisively strummed guitars, maintains its vibrant and shimmering backdrop, TQ takes the reins on the second verse. He rides the rhythmic current with an impeccable flow, offering a parallel perspective on a bad romance, a bold goodbye from the other side of the emotional spectrum. His opening gambit, “what we had wasn’t special, girl you been glowing different ever since I met you perpetual,” surprisingly suggests a disinterest in the “specialness” of the relationship, while simultaneously acknowledging Myah Storm’s positive transformation, perhaps hinting at a self-awareness of her growth post-breakup.
The lines “you know they say that diamonds are forever, have you screaming out to god but you telling your friends I’m the devil” offer a direct counterpoint to Myah Storm’s earlier claims, suggesting a discrepancy between her public and private sentiments, and a perception that he was unfairly villainized despite his perceived positive impact. TQ’s assertion, “I turnt you up took you to another level, now you wanna treat me like I’m basic,” is a defensive retort, a declaration of his perceived role in her elevation and a bewildered reaction to her subsequent dismissal.
The audacious claim, “thinking ima chase you, I don’t even chase liq,” is a powerful statement of self-sufficiency and a refusal to pursue what he sees as an unworthy chase. He then champions his own artistry, declaring, “I make hits storm and swaggy on yo playlist,” firmly positioning himself within the music industry and asserting his value. The echoes of Myah Storm’s sentiments are present as he confronts her earlier declaration: “you say it’s no good for yo soul, what happened to the love and affection you showed.” This questioning reveals a deep-seated confusion and hurt, a feeling of being blindsided by the sudden shift in affection.
The final lines, “I never held you back only helped you grow, this was supposed to be 4l but it’s no more,” convey a sense of regret and the painful realization that a relationship once envisioned as everlasting has now dissolved, leaving him to grapple with the aftermath.
“Rendezvous” is a testament to the raw, visceral experience of love, loss, and the arduous yet ultimately liberating journey of self-discovery. It’s a powerful narrative that resonates deeply with anyone who has navigated the tumultuous waters of a relationship that ultimately proved to be a “bad rendezvous.” With Myah Storm’s melodic and edgy delivery, perfectly complemented by TQ’s surefooted flow, the track stands as a compelling and authentic exploration of emotional liberation.
This single solidifies Myah Storm’s position as an artist with both profound lyrical depth and an undeniable pop sensibility, cementing her trajectory towards widespread acclaim. “Rendezvous” ft. TQ is a bold declaration, an empowering anthem, and an unmissable addition to the ever-evolving soundscape of contemporary music.
OFFICIAL LINKS:
Myah Storm: www.beacons.ai/myahstorm
TQ: https://www.instagram.com/swaggyfrmygg1687/
